I’m always drawn to these ‘close calls’ lucky escapes and this idea of mischief. It was only for a split moment and so she was by miracle un-harmed. It’s based off this time when a girl at my school did go up in flames in the playground after dousing herself in Lynx and a boy flicking a lighter at her. “There’s a scene where myself and close friend Aisha share dark fantasies in the back of a car. “Although my writing style is based in magical realism, I kept weaving in real life events,” she says of the film’s stark opening. “Aisha, I get so bored like, like I’m internally beating myself up.” These are the first words we hear from Charlie Osborne, a multidisciplinary artist, musician and performer who makes work on the presumption that “the internet is a genre and protection can be found in objects, mascots, easter eggs and symbols.” What follows lands somewhere between an urgent threat and morbid fantasy, free association tripping towards destruction: “I swear to god one day I’ll grab the perfume, you know, not the liquid kind, the aerosol kind, and I’ll grab a lighter, you know, a Clippers, the shiny ones, and I’ll go up in smoke.” It’s this space in-between, a liminality conjured out of performance anxiety and contemporary malaise, that Osborne moves through in her short film Bury-Man-Lane, a portrait at once personal and phantasmic. Multidisciplinary artist Charlie Osborne explores performance anxiety and liminal space surrounding a mysterious talent show in a haunted bingo hall for her short film, Bury-Man-Lane.
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