“She must be tired of something, Round here she’s always on my mind.” and then finishing at the very top of your vocal range? The controlled chaos of hitting those notes and almost spitting the words on your way to the top of “very very late… I can’t see nothing, no nothing…” As I would get to driving age, I would sing Counting Crows at top volume, doing my very best to copy every vocal gymnastic and trill. I ended up singing in a band many years later, and after hearing myself on recordings, it’s clear to me that I learned a lot of what I know about singing from Adam Duritz. I’m not a “lyrics guy” per se, but you can’t help but learn the lyrics to “Round Here.” Even with some of the tight patters of consonants, this song made me want to sing. Starting an album with a tune as good as “Round Here” is advisable if you can pull it off as a band. Jones” on the radio, but “Round Here” grabbed me instantly. I don’t remember buying this CD or what drew me in other than the ubiquitous “Mr. They couldn’t be more different, except that they were both on alternative radio at the same time. It’s hard to explain to anyone who wasn’t there because you don’t associate Nirvana with Counting Crows. That’s what I think of first when I think of August and Everything After. ![]() Here I was, learning that we lost Kurt Cobain after one of the most interesting weeks of my life, with Counting Crows as the soundtrack. All of this was also steeped in the fragility of 15-year-old hormones and temporary jet lag. I had the sense of tangible personal loss of my treasures contrasted with the enormity of the less tangible but almost universally felt loss of an iconic musician. Thanks to the airline, I got my CDs back, but the moment was very emotional and confusing. Fortunately, one CD remained with me my copy of August and Everything After that was still in my Discman CD player. While my mother called the airline to recover my CDs, I anxiously paced around the kitchen, feeling powerless. Losing a musician who felt like they were one of my own added a layer of complexity to my young brain as I dealt with things that made me sad, both small and impossibly large. I guess that was possible in those days? The description of the event was straightforward but jarring, conjuring a brutal and almost crass image in my mind.Īs a high school freshman, my music collection was the most important thing in my life and losing it felt like a significant blow. It was either Saturday or Sunday and the news had broken on Friday. It was a shock to my system, and I couldn't believe I hadn't heard the news sooner. Just as I was settling in to watch MTV, a news update by Kurt Loder broke the tragic news that Kurt Cobain had died of a self-inflicted gunshot wound to the head. As I returned from a school trip to Spain, I realized with a sinking feeling that I had left my Case Logic booklet, containing 24 of my favorite CDs, on the airplane. The memory of that day is still vivid in my mind, as it was a time of mourning for the loss of a great musician and my treasured CD collection. It was also included on the band's 1976 live album, Blow Your Face Out.August and Everything After was my favorite album when Kurt Cobain died in April 1994. Their version was described by one reviewer as a "barn-burning cover of.(a) soul nugget". Geils Band, being included on their album Hotline. The song was popularized in 1975 by the J. In 1968, the song was popularized by Mandala, as a single release from the band's only album, Soul Crusade, in an arrangement similar to that of The Sonics. The version was included in a Jerden Records 1996 compilation of Sonics material, Fire and Ice II: The 'Lost' Tapes The song was later re-released in 1967 on Atlantic Records Ī version of the song was recorded in 1967 by The Sonics, but not officially released at that time. ![]() At the time, the songwriting credit was shared between Harvey Scales and guitarist Rudy Jacobs, with the song published by LaCour's L. The song was originally released in 1967 by Harvey Scales and The Seven Sounds, on Magic Touch Records, owned by Lenny LaCour. The song was later recorded and popularized by The Sonics, Mandala and the J. Love-Itis is a song written by Harvey Scales and Albert Vance (with Rudy Jacobs also initially acknowledged as a co-writer), originally recorded by Harvey Scales and The Seven Sounds. Single by Harvey Scales and The Seven Sounds 1967 single by Harvey Scales and The Seven Sounds "Love-Itis"
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